1/9/2023 0 Comments The best nina simone album![]() Michael Boyce Gillespie concentrates on Nina Simone’s attempt to perform a cover of Judy Collins’ “My Father” and the performativity of black disobedience. Peter Coviello examines how songs by Phoebe Bridgers and SZA enact an accounting of patriarchal violence and accents of a #MeToo songbook. Show (1964) and the politics of black work. Lordi considers James Brown’s performance of “Please Please Please” at the T.A.M.I. T his work tunes in to what we might call crisis harmonies, an attention to the contextual measure of songs and how they might devise and evince rhythms of precarity, resistance, pleasure, and cultural history. Sing a simple song ? Comprised of four short pieces, the work of this dossier submits to a deep and wild listening that considers songs and the intricac ies of their r esonance.
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